The 1997 Ben Affleck-starrer was a successful, albeit controversial, indie flick directed by Kevin Smith that garnered a Golden Globe nomination for Joey Lauren Adams, who played Alyssa. In the film, ...
‘Chasing Amy’ Doc Examines the Legacy of Kevin Smith’s Polarizing 1997 Film in First Trailer (Video)
Add Yahoo as a preferred source to see more of our stories on Google. Sometimes the cultural reevaluation of a film can go both ways: For as much as viewers can say “Yes, this movie is actually good,” ...
Kevin Smith is recalling the gut punch of hearing that "the most famous lesbian in the world" walked out of a screening of his 1997 LGBTQ+ movie Chasing Amy. A rep for DeGeneres, 66, did not ...
The director reflects on his time making his third feature film in the newly released documentary 'Chasing Chasing Amy', from filmmaker Sav Rodgers In the 1997 romantic dramedy, Affleck plays Holden ...
“Chasing Chasing Amy” is an enticing new documentary that was written and directed by Sav Rodgers. This documentary had its world premiere on June 8 at the Tribeca Film Festival in New York. It ...
Sav Rodgers’ documentary Chasing Chasing Amy, and by extension his life, would probably look much different if filmmaker Kevin Smith hadn’t asked a simple question during shooting: What are your ...
In 1997, "Chasing Amy" felt like a revolution. Filmmaker Kevin Smith, known for his talky, male-minded comedies "Clerks" and "Mallrats," told a tender story about a heterosexual man (Ben Affleck) who ...
LGBTQ+ representation in film has come a long way since Chasing Amy, the 1997 Kevin Smith rom-com with a rather complicated legacy. Evaluating its problematic nature and place in gay media is the ...
Kevin Smith revealed that his 1997 movie “Chasing Amy” upset “the most famous lesbian in the world”: Ellen DeGeneres. In a clip for the documentary “Chasing Chasing Amy,” Smith, 54, discussed the ...
‘Chasing Amy’ Doc Examines the Legacy of Kevin Smith’s Polarizing 1997 Film in First Trailer (Video)
Sometimes the cultural reevaluation of a film can go both ways: For as much as viewers can say “Yes, this movie is actually good,” they can also say “We see now it’s incredibly problematic.” Such is ...
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