On the legacy of post-painterly abstraction, occasioned by the exhibition and catalogue for “Color as Field: American Painting 1950–1975.” In 1964, Clement Greenberg was invited by the Los Angeles ...

Helen Frankenthaler, “Canal” (1963), acrylic on canvas, 208.3 x 146.1 cm (Solomon R. Guggenheim Museum, New York; purchased with the aid of funds from the National Endowment for the Arts, in ...

"Color as Field: American Painting, 1950–1975," on view at the Smithsonian American Art Museum Feb. 29 through May 26, is the first full-scale exhibition to examine the sources, meaning and impact of ...

This first full-scale examination of the Color Field Movement—which emerged in the U.S. in the 1950s—features approximately 40 paintings by such major figures as Gene Davis, Helen Frankenthaler, ...

As director at Leslie Feely Gallery, he is a champion of Color Field painting and Abstract Expressionism. Meanwhile, in his Brooklyn space, the Java Project, Sica works to boost the careers of young ...

The artist’s earliest Color Field paintings, with their indomitable colors, austere compositions and wild pictorial spaces, are among the movement’s signal achievements. By Roberta Smith In the early ...

Artnet’s second auction dedicated to Abstract Expressionism and Color Field painting opened today. Curated by Dakota Sica, an avid collector and partner at New York’s Leslie Feely Gallery, the sale ...

I imagine the original premise at the Williams College Museum of Art seemed simple: exhibit a new acquisition, a huge sculptural painting from 1972 by Sam Gilliam. Then came not one but three ...

At NSU Art Museum’s ambitious new show on color-field painting, there is one significant omission that lovers of modern art won’t be able to miss. Mark Rothko, whose color-block canvases made him one ...

Welcome to One Fine Show, where Observer highlights a recently opened exhibition at a museum outside New York City—a place we know and love that already receives plenty of attention. An installation ...