“Every emotion in one small hour,” sings Joan Shelley, observing her young daughter Talya on Field Guide To Wild Life. “A raging ocean, a meteor shower.” The folk-adjacent auteur’s ninth studio LP is ...
Sylvia Rhone, an industry trailblazer who is one of a decreasing number of women to helm a major music company, is stepping down from her post as chair/CEO of Epic Records, effective at the end of the ...
To help you navigate the best of broadcast, cable and streaming TV, TVLine offers curated daily, weekly and monthly What to Watch columns, along with an overview of every new TV show premiering in ...
Plus, get the best of BroadwayWorld delivered to your inbox, and unlimited access to our editorial content across the globe. Breakout pop sensation Natalie Jane has officially announced her debut ...
"It’s been an extraordinary journey," Rhone said in a memo, ending her six-year tenure as CEO after her appointment in 2019. By Ethan Millman Music Editor Industry insiders have speculated for years ...
In the beginning, all Sarah McLachlan wanted was to prove to music industry gatekeepers that female artists could sell concert tickets. The “Sweet Surrender” singer had a simple, untested idea: put ...
In 1996, Canadian singer-songwriter Sarah McLachlan had something to prove. Despite having hit after hit, she kept hitting obstacles: Commercial radio didn't believe they could play two female artists ...
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or ...
Within the first couple minutes of Lilith Fair: Building a Mystery, festival founder Sarah McLachlan observes, "If you stand up for something, there is going to be an equal and opposite reaction." Her ...
The look back at the landmark all-female festival that broke all the rules will air on Hulu and Hulu on Disney+ on Sept. 21. By Gil Kaufman Back when Sarah McLachlan launched the Lilith Fair in 1997, ...
Hitting Hulu on Sept. 21, the self-described 'untold story' offers an absorbing look back at why the Sarah McLachlan-led, female-fronted festivals of the 1990s felt revolutionary. A low point comes ...